A heartfelt portrait of a bygone age.William Sheppard had never ventured beyond his Chicago neighborhood until, at thirteen, he was sent away to the Swope Ranch Boys’ Reformatory, hundreds of miles from home, for stabbing his abusive father in the chest with a pocketknife. Buried deep in the Colorado mountains, Swope is shrouded in legend and defined by one prevailing rumor: that the boys who go in never come out the same.
Despite the lack of fences or gates, the boundaries are clear: prisoners are days from civilization, there exists only one accessible road—except in the wintertime, when it’s buried under feet upon feet of snow, and anyone attempting escape will be shot down without hesitation in the shadow of the peaks. At 13,000 feet above sea level, the mountains aren’t forgiving, and neither are the guards.
With twenty-four months of hard time ahead of him, Will quickly learns to distinguish his allies from his enemies. He also learns about the high price of a childhood lost. At Swope, herds of mustangs are trucked in to be broken by a select group of inmates. Once the horses are gentled, they are sold to ranchers and landowners across the Southwest. Horses come and go, delinquent boys come and go. The boys break the horses, Swope Reformatory breaks the boys. Throughout this ordeal, Will discovers three others who bring him into their inner circle. They are life preservers in a sea of violence and corruption.
But if the boys are to withstand the ranch, they must first overcome tragedy and death—a feat that could haunt them for years to come. Goodreads win.
Parents complain about children growing up without responsibility—and then dole out huge hassle-free allowances. Linda and Richard Eyre's The Entitlement Trap is designed to bridge that logical chasm by instituting a family economy that will teach self-sufficiency instead of self-gratification. Initially your kids might groan that this system is demeaning, but according to the authors, they might thank you later. Think of it as an investment. Sent for review.
In this captivating novel of romantic suspense, New York Times bestselling author Linda Howard brings us deep into the wild, where a smart and sexy outdoor guide and her ruggedly handsome competitor must join forces to survive—and avoid becoming what they never expected to be:
PREY: I got this at my local library, not in the mail.
Parents complain about children growing up without responsibility—and then dole out huge hassle-free allowances. Linda and Richard Eyre's The Entitlement Trap is designed to bridge that logical chasm by instituting a family economy that will teach self-sufficiency instead of self-gratification. Initially your kids might groan that this system is demeaning, but according to the authors, they might thank you later. Think of it as an investment. Sent for review.In this captivating novel of romantic suspense, New York Times bestselling author Linda Howard brings us deep into the wild, where a smart and sexy outdoor guide and her ruggedly handsome competitor must join forces to survive—and avoid becoming what they never expected to be:PREY: I got this at my local library, not in the mail.
of Seven. We also got this book at our local library, not in the mail this week. 
#1 New York Times bestselling author Tami Hoag returns with her second thriller in the Deeper than the Deadmicroseries, exploring the early days of forensic investigation, the characteristics of innocence-and the nature of evil.
Marissa Fordham had a past full of secrets, a present full of lies. Everyone knew of her, but no one knew her.
When Marissa is found brutally murdered, with her young daughter, Haley, resting her head on her mother's bloody breast, she sends the idyllic California town of Oak Knoll into a tailspin. Already on edge with the upcoming trial of the See- No-Evil killer, residents are shocked by reports of the crime scene, which might not have been discovered for days had it not been for a chilling 911 call: a small child's voice saying, "My daddy hurt my mommy."
Sheriff's detective Tony Mendez faces a puzzle with nothing but pieces that won't fit. To assist with his witness, Haley, he calls teacher-turned-child advocate Anne Leone. Anne's life is hectic enough-she's a newlywed and a part- time student in child psychology, and she's the star witness in the See-No-Evil trial. But one look at Haley, alone and terrified, and Anne's heart is stolen.
As Tony and Anne begin to peel back the layers of Marissa Fordham's life, they find a clue fragment here, another there. And just when it seems Marissa has taken her secrets to the grave, they uncover a fact that puts Anne and Haley directly in the sights of a killer: Marissa Fordham never existed. Bought at the Library sale.
#1 New York Times bestselling author Tami Hoag returns with her second thriller in the Deeper than the Deadmicroseries, exploring the early days of forensic investigation, the characteristics of innocence-and the nature of evil. Marissa Fordham had a past full of secrets, a present full of lies. Everyone knew of her, but no one knew her.
When Marissa is found brutally murdered, with her young daughter, Haley, resting her head on her mother's bloody breast, she sends the idyllic California town of Oak Knoll into a tailspin. Already on edge with the upcoming trial of the See- No-Evil killer, residents are shocked by reports of the crime scene, which might not have been discovered for days had it not been for a chilling 911 call: a small child's voice saying, "My daddy hurt my mommy."
Sheriff's detective Tony Mendez faces a puzzle with nothing but pieces that won't fit. To assist with his witness, Haley, he calls teacher-turned-child advocate Anne Leone. Anne's life is hectic enough-she's a newlywed and a part- time student in child psychology, and she's the star witness in the See-No-Evil trial. But one look at Haley, alone and terrified, and Anne's heart is stolen.
As Tony and Anne begin to peel back the layers of Marissa Fordham's life, they find a clue fragment here, another there. And just when it seems Marissa has taken her secrets to the grave, they uncover a fact that puts Anne and Haley directly in the sights of a killer: Marissa Fordham never existed. Bought at the Library sale.
Known to her online foodie following as The Tipsy Baker, Jennifer Reese brings a realistic—and very funny—perspective to the homemade trend, testing whether to make from scratch or simply buy over 100 foods, in what is destined to become the new go-to reference for home cooks.
When Jennifer Reese lost her job as the book critic for Entertainment Weekly, she was overcome by an impulse common among the recently unemployed: to economize by doing for herself what she had previously paid for. And so began a series of kitchen-related experiments with the practical purpose of breaking down whether it makes sense to make household staples—or just pick them up at the corner store.
By no means straight kitchen science, Make the Bread, Buy the Butter tells the often funny stories surrounding these experiments and offers a full picture of what is involved in a truly homemade life. On the practical side, Reese asks a handful of questions about each item to decide whether to make or buy: Is homemade better? Cheaper? How much of a hassle is it to make? And what about sustainability and animal welfare—what value should we place on knowing that our eggs came from happy chickens, for example? Is it somehow ennobling to slaughter your rooster yourself? Full of recipes and featuring an extensive chart at the end that summarizes the make-versus-buy status of every food, this eminently practical yet deliciously fun book reminds readers that they don’t have to do everything by hand—and shows how to get the most out of your time in the kitchen. Sent for review.
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Dr. Seuss, pseudonym for Theodor Seuss Geisel, is world renowned for his inventiveness and wit. His stories are instantly recognizable by their use of fantastic words, clever rhymes, and unusual creatures-drawn in his distinctive style. Blog Hop Win.
Cedardale Court is a neo-gothic murder mystery with enough fools and old flames to keep you happily mixed up for most of a long weekend. When Canner Connelly and his daughter, Chloe, move in with their Uncle Henry, and a simple drainage problem turns a normal Sunday morning into a slighter darker affair, it's not easy to tell where everyone might end up, or even if they'll make it there at all. Sent for review.
Inga manages to escape from a house of terror; where she was held as a sex slave along with other girls who were kidnapped. She is chased into the woods and runs onto the road, almost falling under the wheels of an approaching car. She thought, it would be better to die that way than to return to her captors. The driver of the car, to her surprise, saves her. He brings her to his house and introduces her to his family: his mother, his father and his younger sister. He gives Inga a key to a separate room and brings her food. She appreciates his help and calls him her knight from the road. All she needs now is a phone to make a call to her mother. Her savior, Alman, says they don;t have one in the house. He also not in a hurry to take her from his house in the woods to the town where she can talk to police. And Inga began to doubt the noble intentions of her savior. After some time she starts to think this house is worse than the one she was imprisoned in before, if that was possible. Sent for review.
Through the vivid stories in "Drama", John Lithgow shares a backstage history of his struggle, crisis, and discovery, and the scenes of his early life and career that took place before he became a nationally-known star. Above all, "Drama" is a tribute to the most important influence in John Lithgow's life: his father, Arthur Lithgow. An actor, director, producer, and great lover of Shakespeare, Arthur brought theatre to John's boyhood, where performance and storytelling were a constant and cherished part of family life. Lithgow brings the theatre worlds of New York and London to life as he relives his collaborations with renowned performers and directors including Mike Nichols, Bob Fosse, Liv Ullmann, Meryl Streep, and Brian De Palma. Lithgow's ruminations on the nature of theatre, performance, and storytelling cut to the heart of why actors are driven to perform, and why people are driven to watch them do it. At once hilarious and reflective, "Drama" pulls back the curtain on the making of one of our most beloved actors. 
