We are working away this weekend. I hope you are doing something fun.



And her older sister Bella couldn’t be more excited. Not only will Polly be home after five years in New York, but she’s coming back to marry the most perfect man on the planet, Dev. Dresses, cake, first dance … Bella’s looking forward to getting stuck into the arrangements.
Mothers— both reluctant and euphoric — ride the familial tide of joy, pride, regret, guilt, and love in these stories of resilient and flawed women. In a battle between a teenage daughter and her mother, wheat bread and plain yogurt become weapons. An aimless college student, married to her much older professor, sneaks cigarettes while caring for their newborn son. On the eve of her husband’s fiftieth birthday, a pilfered fifth of vodka, an unexpected tattoo, and rogue teenagers leave a woman questioning her place. And in a suite of stories, we follow capricious, ambitious single mother Ruby and her cautious, steadfast daughter Nora through their tumultuous life—stray men, stray cats, and psychedelic drugs—in 1970s California.
Following in the footsteps of The Birth House, her powerful debut novel, The Virgin Cure secures Ami McKay's place as one of our most beguiling storytellers. (Not that it has to… that is pretty much taken care of!)
Possessed of a luminous beauty and a delicate grace, Tess Bradford left Maryland for London with but one purpose, to secure the release of her husband, a devout American patriot, who had been seized by the British navy. Only one man could help her secure his release, James Devereaux, Duke of Langley, former aide to Wellington. But Tess wasn't prepared for the passion that burned beneath Devereaux's implacable demeanor.
Jenny's allegiance lay with the Confederate Army. But her heart belonged to the enemy. Faithful to her family and the land of her birth, young Jenny Jordan covers for her father's Confederate spy missions. But as she grows closer to handsome Union soldier Buck Brownell. Jenny finds herself torn between devotion to the South and her feelings for the man she is forbidden to love. Overwhelmed by pressure to assist the South, Jenny agrees to carry critical information over enemy lines. But when she is caught in Buck Brownell's territory, will he follow orders to execute the beautiful spy or find a way to save his Beloved Enemy?
ut she's managing quite well as a governess to three highborn young ladies. Her job can be a challenge — in a single week she finds herself hiding in a closet full of tubas, playing an evil queen in a play that might be a tragedy (or might be a comedy—no one is sure), and tending to the wounds of the oh-so-dashing Earl of Winstead. After years of dodging unwanted advances, he's the first man who has truly tempted her, and it's getting harder and harder to remind herself that a governess has no business flirting with a nobleman.
In We Learn Nothing, satirical cartoonist Tim Kreider turns his funny, brutally honest eye to the dark truths of the human condition, asking big questions about human-sized problems: What if you survive a brush with death and it doesn’t change you? Why do we fall in love with people we don’t even like? What do you do when a friend becomes obsessed with a political movement and won’t let you ignore it? How do you react when someone you’ve known for years unexpectedly changes genders? Irreverent yet earnest, he shares deeply personal experiences and readily confesses his vices— betraying his addiction to lovesickness, for example, and the gray area that he sees between the bold romantic gesture and the illegal act of stalking. In these pages, we witness Kreider’s tight-knit crew struggle to deal with a pathologically lying friend who won’t ask for help. We watch him navigate a fraught relationship with a lonely uncle in jail who—as he degenerates into madness— continues to plead for the support of his conflicted nephew. And we cringe as he gets outed as a “moby” at a Tea Party rally. In moments like these, we can’t help but ask ourselves: How far would we go for our own family members, and when is someone simply too far gone to save? Are there truly “bad people,” and if so, should we change them? With a perfect combination of humor and pathos, these essays, peppered with Kreider’s signature cartoons, leave us with newfound wisdom and a unique prism through which to examine our own chaotic journeys through life. Uncompromisingly candid, sometimes mercilessly so, these comically illustrated essays are rigorous exercises in self-awareness and self-reflection. These are the conversations you have only with best friends or total strangers, late at night over drinks, near closing time.
1st chapter to Dead Awakening.